Bologna Architecture

Guide to Historic Architecture in Bologna

We spent a month in Bologna researching historic architecture. We’ve summarized the information we collected so you can start enjoying these sights as soon as you arrive!

Bologna architecture and the city of Bologna are dominated by the buildings surrounding Piazza Maggiore. The historic architectural sights in Bologna are truly a sight to behold. As you explore the city, you will be captivated by the magnificent buildings that grace its streets, with Piazza Maggiore serving as the heart of it all.

One of the most impressive structures is the Basilica di San Petronio, which dominates the square with its grandeur. Its unique blend of Gothic and Renaissance styles showcases the rich architectural history of Bologna.

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ARCHITECTURE IN PIAZZA MAGGIORE

Piazza Maggiore, the main square and Historic Centre of Bologna, is a result of centuries-old transformations. It features important buildings such as the Basilica of San Petronio, Palazzo dei Notai, Palazzo d’Accursio, Palazzo del Podestà, and Palazzo dei Banchi. Originally built in the 1200s to represent the municipality’s importance and bring together various city activities, it became known as Piazza Maggiore in the 16th century.

The architecture in Piazza Maggiore is genuinely awe-inspiring. This iconic square is home to some of the most remarkable buildings in Bologna, each with its own unique style and history.

Basilica of San Petronio

Architect: Antonio di Vincenzo

Style: Italian Gothic and Renaissance

Built: starting 1390

Address: Piazza Maggiore, 40124

The construction of the Basilica of San Petronio began in 1390 under the guidance of architect Antonio di Vincenzo. It took over two centuries to complete, with various architects and artisans contributing their skills to bring the vision to life. This magnificent basilica showcases a harmonious blend of Gothic and Renaissance elements.

Giovanni da Brensa designed and constructed the gothic bell tower above the chapel of relics between 1481 and 1492. The tower has four bells. The largest one, weighing 24 quintals, was named “the big one” and was cast in 1492, along with the mezzanella, which weighs 5 quintals. Another bell, the procuress, was built in 1584 and nicknamed “the schoolgirl” because it used to dictate the timetable of university lessons in the nearby Archiginnasio. Lastly, the smallest bell, weighing 4 quintals, was cast in 1578.

Palazzo D'Accursio

Architect: Fioravante Fioravanti (refurbish)

Style: Renaissance and Baroque

Built: 14th century

Address: Piazza Maggiore, 6 – 40121

The Palazzo D’Accursio (aka Municipal Palace), located in Piazza Maggiore, has been the seat of the city’s Municipal Authority since 1336.

During the 15th century, the palace was renovated, and the Clock Tower (Torre d’Accursio) was added by the architect Fioravante Fioravanti. Additionally, the bell was installed by Gaspare Nadi. Later, in the 16th century, it underwent further reconstruction after the Bentivoglio family lost their power in Bologna.

Bologna Architecture includes Torre Lapi

Torre Lapi

Height: 18 meters

Address: Via IV Novembre, 1 – 40123

The Lapi Tower was once a passage in the ancient wall of Porta Nova. The Lapi family bought and renovated it for personal use. Later it was sold to the Municipality of Bologna. The tower was reduced in size during the Napoleonic era and had its appearance changed in 1948 when the beccheria door was reopened.

Torre dell’Orologio

Architect: Giovanni di Vittorio

Style: Gothic

Built: 14th century

Address: Piazza Maggiore, 1, 40124

The Clock Tower (Torre dell’Orologio or Torre Accursi) is another striking example of Bologna’s architectural splendor. Designed by the renowned architect Giovanni di Vittorio in the 14th century, this majestic tower stands tall in the heart of Piazza Maggiore.

The Renaissance parapet underwent a significant renovation between 1885 and 1887, carried out by Raffaele Faccioli. During this process, the parapet was removed and replaced with bricks, better suiting the building’s new medieval appearance.

Palazzo Re Enzo

Architect: Alfonso Rubbiani (renovation)

Built: 1244 to 1246

Style: Gothic

Address: Piazza del Nettuno, 1/C, 40125 Bologna BO, Italy

Palazzo Re Enzo is a Gothic architectural masterpiece situated in Piazza del Nettuno. Constructed between 1244 and 1246 as an extension of Palazzo del Podestà, it was originally referred to as Palatium Novum (“New Palace”).

King Enzo of Sardinia, son of Frederick II, was imprisoned here from 1249 until his death in 1272, giving the palace its current name.

In 1386, Antonio di Vincenzo completed the Sala dei Trecento (“Hall of the Three-Hundred”), which became the city’s archive. The top floor was renovated in 1771 by Giovanni Giacomo Dotti. The restoration in 1905 by Alfonso Rubbiani gave the palace its current Gothic appearance.

Today, the palace hosts cultural events and exhibitions.

Torre Lambertini in Bologna, Italy

Torre Lambertini

Built: 1120 to 1142

Height: 25 meters

Address: Piazza Re Enzo, 1 – 40125

The Lambertini Tower is in the same area as Palazzo Re Enzo and Palazzo del Podestà buildings. It was constructed between 1120 and 1142, making it older than Palazzo del Podestà. The tower was built by the Lambertini family, who supported the Guelphs and played a role in the capture of King Enzo.

The tower stands at a height of roughly 25 meters, and its present design results from a restoration project led by Alfonso Rubbiani between 1903 and 1909. The ground floor openings, roof terrace, and false terrace were not originally part of the tower but were added by Rubbiani during restoration.

Palazzo del Podestà

Architect: Aristotele Fioravanti

Style: Renaissance architecture

Built: 13th century; 1453 (reconstructed)

Address: Piazza Maggiore, 1, 40124 Bologna BO, Italy

The Palazzo del Podestà is a civic building in Bologna, built around 1200 as the seat of the local podesta (the holder of the highest civil office in the government). It stands on the Piazza Maggiore and has a large hall on the upper floor and a double open arcade on the lower floor. In 1453, the original Gothic façade was reconstructed in the Renaissance style. The Palazzo was used as a theatre in the 16th-18th centuries and was frescoed in the 20th century.

The Mayor’s Vault (Voltone del Podestà) allows visitors to experience a “wireless telephone” by speaking from one corner of the vault to another and hear their voice travel along the curved walls, creating a fascinating acoustic phenomenon.

Torre Lambertini in Bologna, Italy

Torre dell’Arengo

Built: 13th century

Height: 47 meters

Address: Piazza del Nettuno, 1, 40125 Bologna BO, Italy

The Torre dell’Arengo is located on top of Palazzo del Podestà. Despite its historical significance, the tower has never been very sturdy due to its thin walls and shallow foundation.

Originally, it was a small raised platform in the 1200s, but it was later transformed into a proper tower after undergoing some renovations, including base consolidation, strengthening, and renovation.

Palazzo dei Notai in Bologna, Italy

Palazzo dei Notai

Architect: Berto Cavalletto and Lorenzo da Bagnomarino (original design); Bartolomeo Fioravanti (remodel)

Style: Gothic

Built: started 1381

Address: Via d’Azeglio, 2, 40123 Bologna BO, Italy

This Palazzo dei Notai is situated between the basilica di San Petronio and palazzo d’Accursio in Piazza Maggiore. The notaries guild of the city built it in 1381 as their headquarters based on a design by Berto Cavalletto and Lorenzo da Bagnomarino.

Another part of the building facing Palazzo d’Accursio was redesigned by Bartolomeo Fioravanti in 1437. In 1908, Alfonso Rubbiani restored it once again. The building is rectangular and made of brick, with a crenelated top and ground floor awnings. The interior is adorned with frescoes from the 15th century.

Palazzo dei Banchi

Architect: Giacomo Barozzi da Vignola

Style: Renaissance architecture

Built: 1565 to 1568

Address: Piazza Maggiore, 6, 40124 Bologna BO, Italy

The Palazzo dei Banchi is a stunning Renaissance-style palace located on the eastern side of Piazza Maggiore. This plaza was the main public square of Bologna in the 16th century, and it was surrounded by important buildings such as the Basilica of San Petronio, the Pretorian Palace (Re Enzo), and the City Hall (D’Accursio).

In 1412, a portico was added to the front of the plaza, and small alleys like Via Pescherie Vecchie, Via Clavature, and Via degli Orefici emerged, each with their own unique businesses. Bankers set up banchi (money changers/loans) under the porticos adjacent to the Piazza, and in the 15th and 16th centuries, families like the Malvasia, Duglioli, and Amorini owned businesses in the area.

From 1565 to 1568, the commune and merchants commissioned a new design for the site to create a more pleasing architectural element. The architect Vignola was tasked with the project, and the result is the stunning, asymmetrical façade with 15 rounded arches, two of which are larger and lead to the alleys mentioned above, while the others are lower. Each arch is flanked by monumental Corinthian pilasters, and each floor has a unique Mannerist rhythm of window placement, which unifies the complex into what appears to be a single gallery of one palace.

The Palazzo dei Banchi is connected to the Archiginnasio of Bologna, one of the main buildings of the University of Bologna, by a portico known as the Pavaglione.

Bilblioteca Salaborsa

Address: Piazza del Nettuno 3 – 40124 Bologna

Bilblioteca Salaborsa, the public library, was relocated to the northern section of Palazzo d’Accursio in 2001. The library is located next to the Piazza del Nettuno, just north of the Piazza Maggiore. Visitors can view the archaeological site through the glass floor located at the center of the library. The ruins, which date back to the ancient city of Bononia in 189 BC, are also accessible from the basement floor, along with information about them.

Despite opening in 2001, the library is housed in the centuries-old Palazzo d’Accursio. The site on which the library stands includes remains from the ancient city of Bononia, as well as Etruscan ruins that predate the Roman ruins.

Fontana del Nettuno

Architect: Giambologna (sculptor); Tommaso Laureti (design)

Built: 1563 to 1566

Address: Piazza del Nettuno – 40124

The Fontana del Nettuno (fountain of Neptune) is an iconic structure made of marble and bronze. It was constructed between 1563 and 1566 by the renowned Flemish sculptor Giambologna based on a design by Tommaso Laureti.

The fountain serves as a representation of the Pope’s supremacy over the world, akin to Neptune’s dominion over the seas. The statue is surrounded by four small angels lying at its feet, symbolizing the Gange, Nile, Amazon, and Danube – the rivers of the continents that were known during that era.

This masterpiece continues to be one of the most significant landmarks in Italy, attracting tourists from all around the globe due to its historical and artistic significance.

Towers in Bologna

The Towers of Bologna are a distinctive feature of the city, with military and noble origins dating back to medieval times.

The Two Towers (Torre degli Asinelli and Torre Garisenda) are commonly recognized as symbols of Bologna. They are located in the heart of the city at the point where the ancient Via Emilia (Aemilian Way) entered the city.

The many towers in Bologna were built during the Middle Ages. They had a military function (signaling and defense) and represented, with their grandeur, the social prestige of the family that had them built.

Torre degli Asinelli

Built: 1109 to 1119

Address: Piazza di Porta Ravegnana – 40126 Bologna

Torre degli Asinelli stands tall and straight, reaching an impressive height of 97 meters and providing a breathtaking view of the city. Built between 1109 and 1119, this tower was originally used as a watchtower and defensive structure for the noble families of Bologna. Today, it stands as a symbol of power and prestige.

Torre Garisenda

Built: 1109 to 1119

Address: Piazza di Porta Ravegnana – 40126 Bologna

Torre Garisenda, built at the same time as Torre degli Asinelli, has a distinctive lean and shorter height of 47 meters. It was lowered in the 14th century for fear of collapsing. Despite its precarious appearance, it has stood the test of time and is a reminder of Bologna’s resilience.

Torre Azzoguidi

Built: late 12th century

Height: 61 meters

Address: Via Altabella, 15, 40100 Bologna BO, Italy

The Azzoguidi Tower (Torre Azzoguidi) also known as Altabella Tower was constructed during the latter half of the 12th century and stands at a height of 61 meters. It is the second tallest tower in Bologna, with the tower of the Asinelli being the tallest. The tower may have been even taller in the past, as evidenced by the thick walls at the base (about 2.28 meters) and a window that is now disconnected from the current roof.

This tower was one of three medieval skyscrapers that together formed a triad. The towers belonged to the Guelph families of Galluzzi, Prendepartes, and Azzoguidi. These towers were strategically placed in key locations throughout the city.

Torre Prendiparte o Coronata

Built: 12th century

Height: 61 meters

Address: Piazzetta Prendeparte, 5, 40126 Bologna BO, Italy

The Coronata tower, built in the 12th century, stands at 59.50 meters (61 meters with pinnacle). Its walls are 2.80 meters thick at the base and slope slightly north. The tower is located at the end of via Sant’Alò and marks the small square of Prendiparte, featuring an original window and a coat of arms from the 15th century.

Torre Galluzzi in Bologna, Italy

Torre Galluzzi

Built: 1257

Height: 30 meters

Address: Corte de Galluzzi, 1, 40123 Bologna BO, Italy

Located near Piazza Maggiore, this tower is about 30 meters tall with 3.10 meter thick walls at the base. Construction began in 1257 as part of a larger building. The door at the base is covered with 11 rows of selenite parallelepipeds and an ogival arch. It was originally connected to a wooden house and has visible signs of wear at the entrance step. Next to the tower is the Oratory of San Giovanni Battista dei Fiorentini.

Torre Alberici

Height: 27 meters

Address: Via Santo Stefano, 4, 40125 Bologna BO, Italy

The tower currently stands at a height of 27 meters, although the thickness of its walls hints at its previous larger dimensions. It is likely that the tower has undergone some height reduction over the centuries to reduce its weight and enhance stability, thereby avoiding the risk of tilting. On the facade of the tower, one can spot holes that served various purposes. Some of the holes were for scaffolding during the construction phase, while others acted as anchors for stairs and attics that connected the tower to other external structures.

Torre Guidozagni

Built: early 13th century

Height: 20 meters

Address: Via Albiroli, 1, 40126 Bologna BO, Italy

Torre Guidozagni stands at the start of via Albiroli. The tower is about 20 meters tall, has a rectangular base measuring 9.80 x 5.92 meters, and its base walls are only about 1 meter thick. These features indicate that it was actually a tower house used as a dwelling. It was probably built in the early 13th century and originally had a higher elevation. The upper part collapsed in 1487, destroying the attached house. In 1926, the tower was restored. Access stairs were added, and a new door and windows were created. The original door, topped with an ogival arch, was remade using marble instead of selenite. The restoration saved the tower from collapse.

Torre Uguzzoni

Built: late 12th century

Height: 32 meters

Address: Vicolo Mandria, 1, 40126 Bologna BO, Italy

Torre Uguzzoni is a 32-meter tower from the late 12th century. It has a square base of 10.06 x 9.65 meters with walls 1.61 meters thick. The base is covered in selenite blocks. The tower was converted into a roof terrace, and new windows were added for internal light. It was once used for offices and is now intended for residential use.

Torre Carrari in Bologna, Italy

Torre Carrari

Style: Medieval

Built: 1920s

Height: 22 meters

Address: Via Marchesana, 4, 40124 Bologna BO, Italy

The original tower built between the end of the 12th and the beginning of the 13th century. However, the current tower was constructed in a false medieval style during the late 1920s. It stands at a height of 22 meters today, but it was likely taller in the past. The base of the tower is modest in size, measuring 4.86 meters per side, and the walls are only 0.93 meters thick at the ground level. This tower was used as a dwelling in the past. Over time, it has undergone significant restoration and remodeling, with only the masonry and scaffolding holes remaining from its original construction. The ogival arched door, decorated with terracotta, is slightly newer than the tower itself, dating back to the late 14th or early 15th century. The windows have been updated in modern times.

Casa Saraceni in Bologna, Italy

Torre Bertolotti

Style: Medieval

Built: late 12th to early 13th century

Height: 16 meters

Address: Via Farini, 15A, 40124 Bologna BO, Italy

The tower was constructed in the late 12th or early 13th century. It’s original height is unknown, as it was dismantled in the latter half of the 15th century. Currently standing at a height of 16 meters, the tower has a square base measuring 8.64 meters and walls of 1.47 meters thick.

The tower is now part of the fifteenth-century house of the Saracens, who converted it into a roof terrace when they built their residence.

From 1933 to 1934, Cassa di Risparmio undertook a restoration project to expose two original openings.

Torre degli Oseletti in Bologna, Italy

Torre degli Oseletti

Built: 12th century

Height: 31 meters

Address: Str. Maggiore, 36, 40125 Bologna BO, Italy

The Torre degli Oseletti was constructed in the 12th century. While it currently stands at a height of 31 meters, it was much taller in the past, possibly reaching up to 70 meters.

The entrance to the tower is located under the portico of Strada Maggiore. It was restored in 1924. The entry consists of a narrow door 77 centimeters wide and topped with a pointed arch. The door is now level with the floor of the portico, but in the past, there were likely one or more steps leading up to it.

The visible part of the tower above the roof has bridge holes and arched windows.

Porticoes in Bologna

One of the most iconic architectural features of Bologna is its extensive system of porticoes. These elegant covered walkways, known as “porticoes,” have become an integral part of the city’s identity and charm. Stretching over a remarkable 62 kilometers, these arcades wind their way through the streets, squares, paths, and walkways of Bologna.

The UNESCO World Heritage site includes twelve distinct groups of arcades and their surrounding built-up areas. These porticoes showcase a variety of architectural styles and materials, ranging from wood to stone, brick, and even reinforced concrete.

Residential arcades of Santa Caterina

Portici Residenziali di Santa Caterina

Porticoed Square of Santo Stefano in Bologna, Italy

Porticoed square of Santo Stefano

Arcaded street of Galliera

Portico of the Baraccano

Portico del Pavaglione in Bologna, Italy

Commercial arcades of Pavaglione and Banchi

Portico on Via di San Luca in Bologna, Italy

Devotional Porch of San Luca

Bologna’s Portico di San Luca is one of the city’s most famous attractions and is considered an architectural marvel. This portico runs for over two miles with 666 arches, connecting the Porta Saragozza to the Sanctuary of the Madonna di San Luca, built in the 11th century on a nearby hill. The portico is a UNESCO World Heritage Site and is known for its stunning architecture, which dates back several centuries.

Academic Arcades in via Zamboni

Portico of the Certosa

Porticoes of via Farini in Bologna, Italy

Porticoes of Piazza Cavour and via Farini

Triumphal Arcades of Strada Maggiore

Arcaded Building in the Barca District

MAMbo Arcaded Building

Other Porticoes

Portico of via dell’Independenza

Portico Zambeccari

Churches in Bologna

The churches in Bologna are not only places of worship but also architectural masterpieces that capture the city’s history and heritage. From grand cathedrals to intimate chapels, each church tells a unique story through its stunning design and intricate details.

Metropolitan Cathedral of Saint Peter

Architect: Alfonso Torreggiani (new façade)

Style: Baroque and Gothic

Built: 910 groundbreaking; 1184 consecrated; rebuilt 14th century; restored 16th and 17th century; new façade added between 1743 and 1747

Address: Via Indipendenza, 9 – 40121

The Metropolitan Cathedral was given its title in 1582 by Pope Gregory XIII. It has undergone significant changes over the centuries and its current appearance dates back to the restoration of 1605. A new façade based on designs by the architect Alfonso Torreggiani was added between 1743 and 1747. The bell tower is the second tallest in the city at 70 meters and houses the largest bell that can be rung using the “Bolognese method.”

The interior features paintings by artists such as Prospero Fontana, Ludovico Carracci, and Donato Creti.

The bell tower is 70 meters high and was built between 1184 and 1426. Inside, there is a bell called “la nonna” (the grandmother) that weighs 7,275 lbs (3300kg) and cannot be rung using the traditional Bolognese method.

Santo Stefano Complex

Architect: various

Built: various

Address: Via Santo Stefano, 24 – 40125

The Santo Stefano Complex, also known as Sette Chiese (“Seven Churches”), encompasses a complex of buildings that includes:

  • Church of Saint Stephen or of the Holy Crucifix (8th century, presbytery reshaped in 17th century), with the Crypt
  • Church of the Holy Sepulchre (according to tradition: 5th century)
  • Church of the Saints Vitale and Agricola (4th century, rebuilt first in the 12th century)
  • Courtyard of Pilate (“Santo Giardino”, 13th century)
  • Church of the Trinity or of the Martyrium (13th century)
  • Chapel of the Bandage (“Cappella della Benda”) is dedicated to the strip of cloth worn around the head by the Virgin Mary as a sign of mourning.

According to tradition Saint Petronius, a bishop of the city during the 5th century, built the basilica over a temple of the goddess Isis. The saint wished to have a building that recalled the Church of the Holy Sepulchre in Jerusalem.

Basilica of San Giacomo Maggiore in Bologna, Italy

Basilica di San Giacomo Maggiore

Architect: Unknown

Style: Gothic and Romanesque

Built: 1267 to 1315

Address: Piazza Gioacchino Rossini, 40126 Bologna BO, Italy

The oldest section of Basilica di San Giacomo Maggiore is its facade, which was built in a late-Romanesque style. Lombardy masters added decorations in Istrian stone to the Venetian-style ogival windows in 1295. The church has four funerary cells from the early 14th century, as well as a portico with frescoes from the 13th century (now inside the church). The original entrance protyrus was also modified during this time.

The portico, believed to be designed by Tommaso Filippi, features 36 Corinthian columns and an entablature with a frieze. Additionally, the portico provides entry to two cloisters – one from the 15th century and the other from the 16th century. The complex is surrounded by the only remaining portion of Bologna’s 11th-century walls. Adjacent to the walls is the Oratory of Santa Cecilia, located within the monastery cloister. This oratory is home to frescoed panels created by the Renaissance painters Francesco Francia, Lorenzo Costa, and Amico Aspertini.

The Renaissance dome was designed by Antonio Morandi.

Basilica di San Francesco

Architect: Unknown

Style: Romanesque (facade); French Gothic architecture (interior)

Built: 1236 to 1263

Address: Piazza Malpighi, 9, 40123 Bologna BO, Italy

Although it has a Romanesque facade, this building is acknowledged as one of the finest examples of French Gothic architecture in Italy. Its Gothic style can be seen in the interior, which features a nave and two aisles, an apse with a corridor, high vaults that are divided into six sections (similar to Notre-Dame de Paris) with ogival arches, and the use of buttresses.

Basilica di San Domenico

Style: Romanesque architecture, Renaissance architecture

Built: 1228 to 1240; October 17, 1251 (consecrated)

Address: Piazza San Domenico, 13, 40124 Bologna BO, Italy

The Basilica of San Domenico is one of the major churches in Bologna. Saint Dominic died here on August 6th, 1221 and was buried behind the altar of San Nicolò.

From 1219 to 1243, the Dominicans purchased all the land surrounding the church. Following the passing of Saint Dominic, the San Nicolò church underwent expansion, and a new monastic complex was erected between 1228 and 1240. The apsidal section of the church was taken down, and the nave was extended to form the Basilica of Saint-Dominic. This church served as the model for various other Dominican churches worldwide.

The basilica was split into two sections. The first part was referred to as the “internal church” and belonged to the brothers. It was constructed in a protogothic style and had a nave, two aisles, and ogival vaults. The second part was known as the “external church” and was meant for the faithful. It had plain columns and the trussed flat roof of the old church.

Both churches were divided by a ramp. The church was consecrated by Pope Innocent IV on October 17, 1251. During the ceremony, the faithful saw Giunta Pisano’s crucifix for the first time.

Over the centuries, the church underwent several modifications and enlargements. In the 15th century, new side chapels were added, and a Roman-Gothic bell tower was constructed in 1313 (which has recently been restored). The dividing wall between the two sections of the church was finally removed at the beginning of the 17th century, and the choir was relocated behind the altar. Between 1728 and 1732, the architect Carlo Francesco Dotti renovated the church’s interior in a Baroque style, with the sponsorship of the Dominican pope Benedict XIII. Today, the church retains this Baroque style.

Santuario di Santa Maria della Vita in Bologna, Italy

Church of Santa Maria della Vita

Architect: Giovanni Battista Bergonzoni and Giuseppe Tubertini (dome)

Style: Baroque

Built: 1687 to 1690; 1787 (dome)

Address: Via Clavature, 8/10, 40124 Bologna BO, Italy

The Sanctuary of Santa Maria della Vita is a late-Baroque-style, Roman Catholic church in central Bologna, near the Piazza Maggiore.

The construction of the present Baroque church began in 1687-1690 under the designs of Giovanni Battista Bergonzoni, who built the elliptical plan with a dome designed by Giuseppe Tubertini, and completed in 1787. The facade was not added till 1905.

The sanctuary houses the famous “Lamentation over the Dead Christ” (Compianto sul Cristo Morto) created in 1463 by Niccolò dell’Arca.

Chiesa Ortodossa San Basilio

Architect: unknown

Style: Baroque

Built: 1715 (renovation)

Address: Via Sant’Isaia, 35/2 – 40123

The Orthodox Church of Saint Basil the Great in Bologna, which falls under the Patriarchy of Moscow’s jurisdiction, is the oldest Orthodox Church in Emilia Romagna. It was established in 1973 and is located in the former Saint Anne church, which belonged to the Carthusian Fathers. Cardinal Niccol Albergati, Archbishop of Bologna and a Carthusian Order member, founded the Saint Anne church in 1435 to house a highly valuable relic: the head of Saint Anne gifted by the King of England.

The Church underwent a complete renovation in 1715, and the famous painter Gioacchino Pizzoli adorned it with Baroque frescoes. However, it fell into a state of disrepair and served as a shelter for the homeless and a storehouse for salt and tar after becoming state-owned during Napoleon’s reign. In 1973, the Local Authorities granted permission to the Orthodox Christians to use it. Today, it is a little-known treasure in Bologna that combines the Eastern Orthodox tradition and Western Baroque styles in perfect harmony, surprising visitors.

Chiesa di Santa Maria della Pioggia in Bologna, Italy

Chiesa di Santa Maria della Pioggia

Architect: Alfonso Torreggiani (reconstruction)

Built: 1729 (reconstruction)

Address: Via Riva di Reno, 124, 40121 Bologna BO, Italy

The Sanctuary of Santa Maria della Pioggia is a small church in central Bologna. It was formerly known as the Oratory of San Bartolomeo di Reno and, by the year 1204, housed a revered icon of the Madonna and Child. After the plague of 1527, the adjacent buildings were converted into an orphanage from a hostel for pilgrims.

The church, located below the oratory, has been expanded and renovated over the centuries, earning the name of the Madonna della Pioggia (Madonna of the Rain) after a procession to the church was followed by a rainfall that ended a drought. Alfonso Torreggiani executed significant reconstruction work in 1729.

The church’s interior has a single nave with three side chapels and is covered by a frescoed barrel vault.

Corpus Domini or Chiesa della Santa

Architect: Nicolò Marchionne da Firenze and Francesco Fucci da Doccia; G. Giacomo Monti (restoration)

Style: Renaissance (façade)

Built: 1478 to 1480; 1687 (restoration)

Address: Via Tagliapietre, 19 – 40123

The Chiesa della Santa, also known as the Church of Corpus Domini, is a Roman Catholic church located in Bologna.

The church was built between 1477 and 1480 by Nicolò Marchionne da Firenze and Francesco Fucci da Doccia. The Renaissance façade is the only remaining feature of that period, as the building was entirely restored in 1687 by G. Giacomo Monti and severely damaged by bombing during the Second World War.

It is part of an active monastery complex that houses the order of Clarissan nuns and the body of Saint Catherine of Bologna (Santa Caterina de’ Vigri), who founded the first Clares convent in Bologna.

Oratorio di Santa Cecilia

Built: starting 1505 (frescoes)

Address: Via Zamboni, 15, 40126 Bologna BO, Italy

The Oratory of Saints Cecilia and Valeriano is a religious site situated next to the portico of the church of San Giacomo Maggiore. The oratory stands on the site of a Romanesque church that was commissioned by Giovanni II Bentivoglio, the then ruler of Bologna.

The frescoes in the oratory were painted by a series of Renaissance painters associated with the Bentivoglio court, including Francesco Francia, Lorenzo Costa, and Amico Aspertini, starting in 1505. The frescoes cover the walls flanking the oratory entrance and depict scenes from the lives of Saint Cecilia and her husband Valerian in ten panels, which are divided by pilaster strips decorated grotesque.

Chiesa di Santa Maria dei Servi

Architect: Andrea da Faenza

Style: Italian Gothic

Built: November 1, 1345

Address: Strada Maggiore, 43, 40125 Bologna BO, Italy

Located on Strada Maggiore, the Basilica of Santa Maria dei Servi is a beautiful representation of Gothic architecture. Its construction was made possible by the efforts of Father Andrea Manfredi da Faenza and Master Antonio di Vincenzo, who had previously worked together on the Basilica of San Petronio. The basilica is preceded by a spacious four-sided portico, which was built between 1393 and the 16th to 19th century.

The complex has a 52-meter tall bell tower with light columns and a four-sided portico in front of the church.

The interior of the church houses famous works of art including the Enthroned Madonna by Cimabue, as well as pieces by Crespi, Albani, and Calvaert.

Chiesa Parrocchiale di S. Maria e S. Valentino della Grada in Bologna, Italy

Chiesa di Santa Maria e San Valentino della Grada

Architect: Antonio Paolucci the Levant

Style: Baroque

Built: 1632

Address: Via Monaldo Calari, 10, 40122 Bologna BO, Italy

Before the current church of Santa Maria and San Valentino was built, there was already a shelter for the sick and a cemetery on the same site. During the plague outbreak in 1630, these facilities became even more crucial. The city magistrates decided to construct a new church to honor the image of the Blessed Virgin Mary that was already present in the shelter. The project was designed by Antonio Paolucci, also known as il Levanti, and construction began in 1632.

The name Grada comes from the grate located at the rear of the church, where the Reno canal flows into the heart of Bologna. The grate was lowered into the canal’s water to prevent unauthorized individuals or smuggled items from entering the city.

On the left side of the church, there is a small bell tower above the roof. Inside the tower, there are four small bells mounted on wooden blocks. These bells are rung in the Bolognese style, according to local custom.

Chiesa di San Procolo

Architect: Bartolomeo Gillij (14th century reconstruction); Antonio Morandi (16th century reconstruction); Carlo Francesco Dotti (18th century reconstruction)

Style: Gothic and Renaissance

Built: 14th century (reconstruction); 1400 (façade); 1535 to 1557 (reconstruction);

Address: Via d’Azeglio, 52, 40123 Bologna BO, Italy

San Procolo is a Gothic-style Roman Catholic church and former monastery-hospital that was constructed by Benedictine Monks from the Abbey of Monte Cassino before 1087. Bartolomeo Gillij led a significant reconstruction of the church in the late 14th century, and a new façade was added in 1400. The Gothic tracery of the ceiling was added between 1383 and 1407. Antonio Morandi, also known as Terribilia, contributed to the reconstruction from 1535 to 1557. Carlo Francesco Dotti directed the reconstruction of the interior in 1744, which was later halted during the Napoleonic rule. The brick façade was refurbished in the 19th century.

The adjacent monastery has two cloisters. The first one was built in 1577 and designed by Domenico Tibaldi. The second cloister was designed by Giulio della Torre in 1622, and it was restored in 1734 by Luigi Casoli. In this courtyard, a statue of San Procolo was erected by Angelo Pio.

Church of the Holy Savior (Chiesa del Santissimo Salvatore)

Architect: Tommaso Martelli

Style: Baroque

Built: 1606 to 1623

Address: Via Cesare Battisti, 18, 40123 Bologna BO, Italy

Church of the Holy Savior (Chiesa del Santissimo Salvatore)

The Santissimo Salvatore Church, built in its present form between 1605 and 1623, was overseen by Barnabite priest Giovanni Ambrogio Mazenta and architect Tommaso Martelli. The only remaining feature from the previous building is the 16th-century bell tower.

The current structure has eight chapels, four on each side. The facade boasts three copper statues by Orazio Provaglia and four evangelist statues credited to Giovanni Tedeschi. Currently, the church is not open to the public, but only available for scheduled tours.

Basilica of Saints Bartolomeo and Gaetano in Bologna, Italy

Chiesa dei Santi Bartolomeo e Gaetano

Architect: Andrea Marchesi (1516), Giovanni Battista Natali (1599), and Agostino Barelli

Style: Renaissance

Built: 1516

Address: Strada Maggiore, 4, 40125 Bologna BO, Italy

Church of Saints Bartholomew and Cajetan (Basilica Collegiata dei Santi Bartolomeo e Gaetano)

The Basilica of Saints Bartolomeo and Gaetano is a Catholic church in Bologna, located in the immediate vicinity of the two towers.

Andrea Marchesi, aka Formigine, was hired by the Gozzadini family in 1516 to renovate a church. The project was stopped when Giovanni di Bernardino Gozzadini was killed. Only the portico that remains was finished.

Teatini fathers renovated the church in 1627 with the help of architects Giovanni Battista Natali and Agostino Barelli. They integrated Palazzo Gozzadini’s portico to expand the building and reoriented its facade towards Strada Maggiore.

The Theatinian order’s founder, San Cajetan, was canonized in 1671. His life is depicted on the portico’s lunettes, and the church’s portal dates back to the 15th century. The bell tower and dome were completed in 1694, and the cusp was added 50 years later.

Chiesa dei Santi Vitale e Agricola

Built: 1641 (reconsecrated);

Address: Via San Vitale, 50, 40125 Bologna BO, Italy

At the end of the 16th century, the church was rebuilt with a single nave and a new orientation facing the road. The reconstruction was completed and the church was reconsecrated 1641.

In 1806, the parish was dissolved and the crypt was used by the literary group called Orto delle Esperidi. The group was led by Countess Rossi Martinetti and her husband who had bought the adjacent Benedictine monastery and transformed it into a lavish palace.

The parish was reconstituted on April 24, 1824. Starting in 1872, the church underwent significant restoration work, resulting in the modern facade that is seen today.

Oratory of Saint Rocco in Bologna, Italy

Oratorio di San Rocco

Address: Via Monaldo Calari, 4, 40122 Bologna BO, Italy

The Oratory of Saint Rocco (Oratorio di S. Rocco) is dedicated to the Patron Saint, who was known for healing those who were struck by the plague.

Chiesa di Santa Cristina in Bologna, Italy

Chiesa di Santa Cristina

Architect: Giulio della Torre

Built: 1602

Address: Piazzetta Giorgio Morandi, 2, 40125 Bologna BO, Italy

Santa Cristina or Santa Cristina della Fondazza is a deconsecrated Roman Catholic church located on Piazzetta Morandi in central Bologna. The present church was erected in 1602 by Giulio della Torre, a pupil of Domenico Tibaldi.

The church has a single nave with chapels on either side and houses artworks by notable artists including sculptures of St. Peter and St. Paul by Guido Reni, who known almost exclusively for his paintings.

By the Napoleonic era, the church was used for a time as barracks. Since 2007, the barrel-vaulted church has served as a performance hall for concerts, mainly of choir and classical formats.

Oratorio San Filippo Neri

Architect: Alfonso Torreggiani

Style: Baroque

Built: 1723 and 1733

Address: Via Manzoni, 5, 40121 Bologna BO, Italy

The original  construction of Oratorio San Filippo Neri was the work of five local architects, including Alfonso Torreggiani who designed it, Angelo Piò who created its sculptures, and Francesco Monti who painted it, showcasing the Bolognese Baroque style between 1723 and 1733.

The building underwent a remarkable restoration between 1997 and 1998 after being completely damaged by bombs during World War II in 1944. The restoration aimed to stay true to the original design by Alfonso Torreggiani.

Saint Paolo Maggiore in Bologna, Italy

Chiesa di San Paolo Maggiore

Architect: Ambrogio Mazenta

Style: Baroque

Built: 1606 to 1611

Address: Via de’ Carbonesi, 18, 40123 Bologna BO, Italy

The Barnabites, a group of Catholic priest belonging to the Order of the Clerics Regular of St. Paul, commissioned the construction of the church between 1606 and 1611. Architect Ambrogio Mazenta designed the church, which was later enhanced by Ercole Fichi from 1634 to 1636 with a lovely facade.

Oratorio di San Giovanni Battista dei Fiorentini in Bologna, Italy

Oratorio di San Giovanni Battista dei Fiorentini

Architect: Giuseppe Tubertini (renovation)

Style: Baroque

Built: 1570; 1793 (renovation)

Address: Corte de Galluzzi, 6, 40124 Bologna BO, Italy

The Oratorio di San Giovanni Battista dei Fiorentini is situated beside Galluzzi Court, which takes its name from the Galluzzo di Capramozza family who resided there. It is also adjacent to the Galluzzi Tower, which was constructed in 1257.

The building has a typical Baroque design and decoration, resulting from various renovations and upgrades. The current structure dates back to 1793, when Giuseppe Tubertini carried out renovations.

Santa Maria della Visitazione al Ponte delle Lame in Bologna, Italy

Chiesa di Santa Maria della Visitazione o del Ponte delle Lame

Architect: Marco Bianchi

Style: Renaissance and Baroque (interior)

Built: 1527; 1764 (interior reconstruction)

Address: Via Lame, 50, 40122 Bologna, Italy

Santa Maria della Visitazione al Ponte delle Lame was established in 1527 after people prayed near an icon during a plague outbreak. In 1764, it was reconstructed in a late Baroque style. However, it is now deconsecrated.

Chiesa di Santa Maria della Carità

Architect: Pietro Fiorini (original); Giovanni Battista Bergonzoni (enlargement)

Built: 1583; 1680 (enlargement)

Address: Via S. Felice, 64, 40122 Bologna BO, Italy

The Church of Saint Mary of Charity (Chiesa di Santa Maria della Carità) was constructed in 1583 by Pietro Fiorini, who utilized a pre-existing orator as the foundation. In 1680, Giovanni Battista Bergonzoni, a Bolognese architect, expanded the church by adding four side chapels.

The bell tower is rectangular in shape, with a four-pitched roof, and holds a concert of four bells. After years of neglect and malfunction, the concert was restored in 2012 using skillful and targeted methods. Two small bells are located above the church’s facade and are connected to the clock face. These bells, mounted on a special iron frame and hit by special hammers, indicate the hours and half-hours.

Complesso di San Giovanni in Monte

Style: Gothic and Renaissance (façade)

Built: 1450; 1474 (façade); 1603 (vault)

Address: Piazza S. Giovanni in Monte, 3, 40124 Bologna BO, Italy

The history of San Giovanni in Monte dates back to the 5th century when a round church named Monte Oliveto was built by Saint Petronius.

The church was first mentioned in writing in 1045. The Canons Regular of the Lateran restored and expanded the old church between the years 1200 and 1300. Eventually, they replaced it with a new, late Gothic church in 1450. The church features a Renaissance-style facade that was built in 1474. The vault was completed in 1603.

The bell tower, which is more than 40m high, was constructed in the 14th century and has a base that dates back to the 13th century.

Cripta di San Zama in Bologna, Italy

Cripta di San Zama

Style: Romanesque

Built: 11th and 12th centuries

Address: Via dell’Abbadia, 3, 40122 Bologna BO, Italy

During the 11th and 12th centuries, Benedictine monks settled in the area and began constructing a monastery, church, crypt, and small cloister using existing materials found on site.

The Cripta di San Zama, built in the Romanesque style, is made up of three naves with cross vaults and arches. The crypt culminates in five apses, with narrow windows that open inwards and feature alabaster openings.

Synagogue in Bologna, Italy

Synagogue de Bologna

Architect: Guido Lisi (1874 expansion); Attilio Giacomo Muggia

Style: Liberty

Built: 1868; 1874 to 1877 (expanded); opened 1928 (renovation); post-WWII reconstruction

Address: Via Mario Finzi, 2, 40123 Bologna BO, Italy

The Synagogue began in a rented room located at via de’ Gombruti, 7. From 1874 to 1877, a larger place of worship was constructed in the same building, facing the present via Finzi based on the design of Guido Lisi.

The synagogue was further expanded in the early 20th century. The new synagogue with a grand liberty-style facade was opened in 1928. Unfortunately, the building was destroyed during the air raids of 1943.

The current synagogue is a modern reconstruction that maintains the same architectural structure. The ground floor features three naves, while the upper floor houses women’s galleries. The roof is a barrel vault, and a large, round window on the wall depicts the star of David.

Chiesa dei Santi Gregorio e Siro

Architect: Tibaldo Tibaldi and Giovanni Antonio

Style: Renaissance

Built: 1532 to 1535

Address: Via Monte Grappa, 15, 40121 Bologna BO, Italy

The Church of SS. Gregorio e Siro was constructed between 1532 and 1535 by Tibaldo Tibaldi and Giovanni Antonio from Milan. Due to an aggressive earthquake, the façade and arches were rebuilt in 1780 by Angelo Venturoli.

Although the church appears plain from the outside, it contains an abundance of artwork within, including magnificent paintings by Camillo Procaccini, Lucio Massari, Calvart, Calvi, and Carracci. Additionally, the grave of Marcello Mapighi, a well-known Bolognese physician and biologist, can be found inside.

Basilica of San Martino (Basilica of San Martino Maggiore)

Style: Renaissance and Gothic (facade)

Built: 1227

Address: Via Guglielmo Oberdan, 25, 40126 Bologna BO, Italy

A church was built on the site in 1217. The brick tracery vaults on the ceiling were added in 1457. The Gothic facade featuring statues of various saints was added in 1879.

Oratorio di Santa Maria dei Guarini

Architect: Giuseppe Tubertini

Built: 1784 to 1788

Address: Galleria Acquaderni, 3, 40126 Bologna BO, Italy

Giuseppe Tubertini rebuilt the building between 1784 and 1788. The oratory is located on the first floor of Galleria Acquaderni, which was constructed by Edoardo Collamarini in 1928. The “Confraternita della Compagnia degli Artisti” has been located in the oratory since 1817.

Oratorio di San Carlo

Built: 1667

Address: Via del Porto, 5, 40121 Bologna BO, Italy

The Oratory, which is devoted to St. Carlo Borromeo, was constructed in 1667 by the Confraternity of S. Maria del Paradiso. The artwork, including the ceiling depicting St. Charles in a state of ecstasy, was painted by Giacomo Friani, who belonged to the Mitelli and Colonna school of artists. The Oratory’s history was interrupted by Napoleon’s arrival in Bologna, but it was revived in 1833 when the Confraternity returned and decided to re-open it.

Ex Chiesa di Santa Maria degli Angeli in Bologna, Italy

Ex Chiesa di Santa Maria degli Angeli

Architect: Edoardo Collamarini and Alfonso Rubbiani (restored)

Built: 1474; 1899 to 1900 (restored)

Address: Via degli Angeli, 22, 40124 Bologna BO, Italy

Oratorio dello Spirito Santo in Bologna, Italy

Oratorio dello Spirito Santo

Built: 1481 to 1497

Address: Via Val D’Aposa, 6, 40123 Bologna BO, Italy

The oratory was constructed from 1481 to 1497 by the Celestine fathers of the neighboring San Giovanni Battista church.

From 1892 to 1893, the Banca di Credito Popolare di Bologna became the owner of the building and restored its original façade. Alfonso Rubbiani oversaw the restoration, aiming to restore the building to its original state.

The oratory was again restored in 1965 to celebrate the centenary of the foundation of the Banca Popolare.

Chiesa Parrocchiale di Sant'Isaia in Bologna, Italy

Chiesa Parrocchiale di Sant'Isaia

Architect: Pietro Fiorini

Style: Neoclassical

Built: 1624 to 1633 (rebuilt)

Address: Via de’ Marchi, 31, 40123 Bologna BO, Italy

The Chiesa Parrocchiale di Sant’Isaia has a recorded history dating back to 1088. It underwent a reconstruction from 1624 to 1633 under the direction of Pietro Fiorini, who added a side portico and redesigned the interior. After his passing in 1629, his son Sebastiano continued the project.

Luigi Marchesini made significant changes to the church by constructing two side aisles, a cupola, and a spacious chapel. He also rebuilt the facade in a Neoclassical style, adding a side portico. The church was reopened for worship on July 5, 1837.

Chiesa di San Donato in Bologna, Italy

Chiesa di San Donato

Architect: Francesco Orlandi (rebuilt)

Built: 1454 (original); 1751 (rebuilt)

Address: Piazzetta Achille Ardigò, 40126 Bologna BO, Italy

The current Church was originally built in 1454 and rebuilt in 1751. Its facade was designed by Francesco Orlandi in 1751.

Chiesa di Santa Maria delle Muratelle

Architect: Carlo Francesco Dotti (refurbishment), Edoardo Collamarini (facade)

Built: 1630; 1735 (refurbished)

Address: Via Saragozza, 2, 40123 Bologna BO, Italy

In the 13th century, there was a church at this location, but it was demolished in 1630 to make way for a new street, resulting in the construction of a new church. The bell tower was built in 1690.

In 1735, Carlo Francesco Dotti renovated the interior. The facade was left unfinished until 1928, when Edoardo Collamarini completed it.

Parrocchia dei Santi Filippo e Giacomo in Bologna, Italy

Parrocchia dei Santi Filippo e Giacomo

Address: Via delle Lame, 105, 40122 Bologna BO, Italy

Church of Saints Philip and James (Parrocchia dei Santi Filippo e Giacomo)

Aula Magna ex Santa Lucia in Bologna, Italy

Aula Magna di Santa Lucia

Built: 13th century (original); 1986 to 1988 (restoration)

Address: Via Castiglione, 36 – 40124

The Aula Magna di Santa Lucia is situated within the premises of the Santa Lucia church complex. Its origins can be traced back to the 5th century when it was commissioned by San Petronio. In the 13th century, a church was built on the same foundation and later a college was added in 1570. Over the years, it has served several functions, however, after restoration between 1986 and 1988, it was transformed into the Aula Magna of the University of Bologna.

Ex Chiesa Di Santa Maria Del Buon Pastore in Bologna, Italy

Ex Chiesa Di Santa Maria Del Buon Pastore

Built: 16th century

Address: Via delle Lame, 83, 40122 Bologna BO, Italy

aka Oratory of the Good Shepherd and formerly Church of the Converted

Saint Giorgio in Poggiale in Bologna, Italy

Saint Giorgio in Poggiale

Architect: Tommaso Martelli (original); Michele De Lucchi (reconstruction)

Style: Baroque

Built: 1589 to 1633; 2009 (reconstruction)

Address: Via Nazario Sauro, 20/2, 40121 Bologna BO, Italy

The current church on this site was designed by architect Tommaso Martelli and built between 1589 and 1633.  The bell tower was constructed between 1760 and 1763.

The building was nearly destroyed in the years after World War II, but it was acquired by the Fondazione Cassa di Risparmio in Bologna, who commissioned architect Michele De Lucchi to oversee its reconstruction. The modern library was opened in 2009.

Chiesa di San Giovanni Battista dei Celestini in Bologna, Italy

Chiesa di San Giovanni Battista dei Celestini

Architect: Carlo Francesco DottiFrancesco Tadolini (reconstruction)

Style: Renaissance

Built: 1535 to 1554 (rebuilt); 18th century (reconstruction)

Address: Piazza de’ Celestini, 2, 40123 Bologna BO, Italy

San Giovanni Battista dei Celestini is a Renaissance-style Roman Catholic church on the corner of via D’Azeglio and Piazza De’ Celestini. From 1535 to 1554, it was rebuilt in its present form. In 1580, a bell tower was added. The church underwent further reconstruction by Carlo Francesco Dotti and Francesco Tadolini during the 18th century.

Chiesa dei Santi Giuseppe e Ignazio in Bologna, Italy

Chiesa dei Santi Giuseppe e Ignazio

Address: Via Castiglione, 67, 40124 Bologna BO, Italy

Palaces in Bologna

Archiginnasio Palace in Bologna, Italy

Archiginnasio Palace and Anatomical Theatre

Architect: Antonio Morandi aka Terribilia (palace); Antonio Paolucci, called “il Levanti” (theatre)

Style: Renaissance

Built: 1562 to 1563 (palace); 1637 (theatre)

Address: Piazza Galvani 1 – 40124 Bologna

The Archiginnasio Palace, the main building of the University of Bologna, was built between 1562 and 1563 at the behest of Cardinal Carlo Borromeo, who was the Papal Legate of Bologna, and of his deputy Pier Donato Cesi. The project was realized by the Bolognese architect Antonio Morandi, called “Terribilia.”

One of the most fascinating features of the Archiginnasio is its Anatomical Theatre. The theater was a pioneering space for the study of anatomy in the 17th century. It was designed and built by the Bolognese architect Antonio Paolucci, called “il Levanti”, in 1637.

Palazzo Boncompagni

Architects: Baldassare Peruzzi (original design); Giacomo Barozzi da Vignola (completion and decoration)

Style: Bolognese Renaissance

Built: 1548

Address: Via del Monte 8, 40126 Bologna

There is a plaque on the noble floor that commemorates the completion of Palazzo Boncompagni in 1548. Although the original design of the building’s nucleus is credited to Sienese architect Baldassarre Tommaso Peruzzi, scholars believe that its completion and decoration, both inside and outside, should be attributed to Jacopo Barozzi, also known as Vignola.

Vignola’s signature style of vigor and maturity is evident in the splendid helical staircase, as well as in the gallery and access portal to the staircase. The decoration above the door, specifically at the top of the window, is reminiscent of Vignola’s design for the Palazzo dei Banchi in Piazza Maggiore, Bologna.

Bocchi Palace in Bologna, Italy

Palazzo Bocchi

Architect: Giacomo Barozzi da Vignola

Style: Renaissance

Built: 1546

Address: Via Goito, 16, 40126 Bologna BO, Italy

Palazzo Bocchi, in Via Goito, was designed around the middle of the 16th century by Vignola. It was owned by Achille Bocchi and soon became the site of the Hermatema Academy.

The building is characterized by a high plinth that features two large inscriptions: one of these is the only example in Italy and in Europe of writing in Hebrew on a monumental building, reproducing a verse of Psalm 120 of the Psalter.

The interior features 16th-century frescoes by Prospero Fontana.

Palazzo Pallavicini in Bologna, Italy

Palazzo Pallavicini

Architect: Paolo Canali and Luigi Casali (renovation)

Built: 15th century. 1680 (renovation)

Address: Via S. Felice, 24, 40122 Bologna BO, Italy

The Palazzo Pallavicini, previously known as Palazzo Alamandini, was constructed in the 15th century, though the exact date of its first construction remains unknown. It passed through various owners, such as Sala, Volta, and Marsili, before being acquired by the Isolani family in 1557. The family commissioned Paolo Canali and Luigi Casali to renovate the building in 1680, following the “modes of senatorial architecture,” according to historian Giuseppe Guidicini. The monumental staircase and the city’s highest hall, featuring a lantern ceiling, were built during this renovation.

The palace has been a venue for exhibitions and artistic events since 2017.

Palazzo del Monte di Pietà

Architect: Unknown

Built: 15th century (?)

Address: Via Indipendenza, 11 – 40121

The Palazzo del Monte di Pietà dates back to the 15th century. It originally housed the canons from the nearby St. Peter’s Cathedral.

The Monte di San Pietro was founded in the 16th century. The Mount of piety (“Monte di pietà” in Italian) was a non-profit financial institution that provided small-scale loans in exchange for a pledge.

Palazzo della Mercanzia in Bologna, Italy

Palazzo della Mercanzia

Architect: Lorenzo da Bagnomarino and Antonio di Vincenzo

Style: Gothic

Built: 1382 to 1391

Address: Piazza Della Mercanzia, 4 – 40125

The Palazzo della Mercanzia, also called the Loggia dei Mercanti or Palazzo del Carrobbio, is located in Bologna and overlooks a square with the same name. It served as the headquarters for the Universitas Mercatorum (Forum of Merchants) and several corporations from the late 14th century to the late 18th century. Following the French occupation in 1797, it became the location for the Chamber of Commerce.

Palazzo Grassi in Bologna, Italy

Palazzo Grassi

Style: Gothic

Built: 13th-century

Address: Via Marsala, 12, 40126 Bologna BO, Italy

Palazzo Grassi is a 13th-century Gothic-style palace. It was once owned by the Canonici family but was later acquired by the Grassi family in 1466 and remained with their descendants until 1848. The family was honored with the title of Conti Palatini del Sacro Romano Impero by Frederick III, Holy Roman Emperor in 1478. In 1865, the palace was acquired by the military and underwent several renovations with the latest one in the 20th century. Currently, the palace houses the Circolo Ufficiali dell’Esercito, a private Officer’s club, which has been there since 1935.

Palazzo Magnani in Bologna, Italy

Palazzo Magnani Salem

Architects: Domenico Tibaldi, Floriano Ambrosini

Style: Renaissance

Built: started 1577

Address: Via Zamboni, 20, 40126 Bologna BO, Italy

The construction of Palazzo Magnani Salem was started in 1577 by architect Domenico Tibaldi, but he passed away in 1583. Floriano Ambrosini then took over the architectural duties. In 1797, the palace became the property of the Guidotti family. Later on, in the late 19th century, it was sold to the Malvezzi Campeggi family, whose coat of arms can still be seen on the façade.

Palazzo Isolani

Architect: Pagno di Lapo Portigiani; Giuseppe Antonio Torri (façade)

Style: Gothic and Renaissance

Built: 1451 to 1455; 1708 (façade)

Address: Corte Isolani, 5 – 40125

The Bolognini family, known for their prosperous silk trade, had Palazzo Isolani built between 1451 and 1455 by Pagno di Lapo Portigiani from Fiesole.

The ground-floor portico features Corinthian columns and a cornice that separates it from the upper floor. The upper windows have mullions with peaked arches, and 19th-century medallions with busts were added to mimic the effect of the nearby Palazzo Bolognini Amorini Salina diagonally across the square.

In 1671, the Isolani family inherited the house and added it to their properties on Strada Maggiore in 1701. Senator Alamanno Isolani commissioned architect Giuseppe Antonio Torri in 1708 to design the current facade.

Palazzo Malvezzi Campeggi

Architect: Marchesi Andrea Di Pietro, called Il Formigine, and his brother Giacomo

Style: Renaissance

Built: mid-1500s

Address: Via Zamboni, 22, 40126 Bologna BO, Italy

Palazzo Malvezzi Campeggi was built in the mid-1500s on top of an older structure belonging to Giovanni II Bentivoglio. The architects responsible for the construction were Marchesi Andrea Di Pietro, who was also known as Il Formigine, and his brother Giacomo. After completion, the building was sold to the prominent Malvezzi family, who made it their home.

The 18th-century design of the main floor is embellished with frescoes, and the courtyard features three orders of superimposed columns: doric, ionic, and Corinthian, with medallions depicting the main Roman emperors. The entrance boasts a large statue of Hercules, created by Giuseppe Maria Mazza.

Today, Palazzo Malvezzi Campeggi serves as the School of Law for the University of Bologna (Scuola di Giurisprudenza dell’Università di Bologna).

Palazzo Fantuzzi

Architect: Andrea da Formigine

Style: Renaissance

Built: 1521 to 1538

Address: Via S. Vitale, 23, 40125 Bologna BO, Italy

Palazzo Fantuzzi was commissioned by Senator Francesco Fantuzzi. The construction began in 1521 and was completed in 1538. The building was designed with a majestic facade, and it is one of the few noble palaces in Bologna without a portico. Unfortunately, the dates engraved on the main floor’s windows are no longer legible due to the deterioration of the sandstone.

Grand Hotel Majestic già Baglioni in Bologna, Italy

Palazzo dell’Ex Seminario

Architect: Alfonso Torreggiani

Built: 17th century

Address: Via dell’Indipendenza, 8 – 40122

The Palazzo dell’Ex Seminario aka ora Grand Hotel Majestic “già Baglioni,” built in the 17th century by Alfonso Torreggiani, was originally intended to be the Archbishop’s Seminary under Pope Benedict XIVth.

In 1912, the building was converted into a hotel and remains one of the most prestigious hotels in the city. On the first floor is a room connected to the nearby Palazzo Fava, which contains a frieze painted at the end of the 16th century by Agostino, Annibale, and Ludovico Carracci. This frieze depicts the “Stories of Europe.”

Palazzo Orlandini - Dall'Armi Marescalchi

Architects: Pellegrino Tibaldi, Floriano Ambrosini

Style: Baroque

Built: opened 1466; 1613 (rebuilt)

Address: Via IV Novembre, 5, 40121 Bologna BO, Italy

The Palazzo Dall’Armi Marescalchi is a stunning palace designed in Baroque style. Its original construction dates back to 1466, but it was rebuilt in 1613 by Floriano Ambrosini. After Senator Vincenzo Marescalchi married Eleonora D’Armi, the palace was given the Marescalchi name. Over the years, the palace underwent further expansion and reconstruction in the 1700s and 19th century. Notably, the famous scientist Guglielmo Marconi was born here. In 1961, the palace was acquired by the Ministry of the Treasury and turned into the Soprintendenza per i Beni Ambientali e Architettonici of the Province of Emilia.

Today, some of the original frescoes by Ludovico Carracci and Guido Reni can still be seen in some of the rooms on the main floor. Additionally, the large oval hall boasts frescoes by Felice Giani from 1780. Unfortunately, the palace also suffered damage during the bombardments of World War II.

Cassa di Risparmio in Bologna, Italy

Palazzo di Residenza della Cassa di Risparmio di Bologna

Architect: Giuseppe Mengoni

Style: Eclecticism

Built: 1868 to 873

Address: Via Farini, 22 – 40124

The Palazzo di Residenza della Cassa di Risparmio di Bologna was designed by architect Giuseppe Mengoni and constructed between 1868 and 1873 in an eclectic style. Over the years, the building has undergone various renovations, including the covering of the central courtyard in 1955-1956 to create an expansive open inner lobby.

Palazzo Belloni

Architect: Giuseppe Antonio Torri (staircase)

Built: late 17th century

Address: Via de’ Gombruti, 13/a, 40123 Bologna BO, Italy

The Belloni family has been the owner of Palazzo Belloni since its construction in the late 17th century. Although the exterior of the palace lacks a portico and is not particularly distinctive, its lavish interior and grand staircase, designed by Giuseppe Antonio Torri, are truly impressive.

The palace gained notoriety due to the frequent visits made by James III Stuart, the Old Pretender, between 1717 and 1726. Giacomo Angelo Belloni even placed a commemorative marble headstone to honor these royal visits.

Palazzo Malvezzi De' Medici

Architect: Bartolomeo Triachini

Style: Renaissance

Built: 1560

Address: Via Zamboni, 13, 40126 Bologna BO, Italy

The Palazzo Malvezzi de’ Medici was commissioned by Paola di Antonio Maria Campeggi, the widow of Giovanni di Bartolomeo Malvezzi, in 1560. Bartolomeo Triachini designed the Renaissance-style palace.

In 1725, Ferdinando Galli-Bibiena was commissioned by Marquis Giuseppe Maria Malvezzi de’ Medici to design a scenic staircase. The construction was completed by Alfonso Torreggiani.

Later in the mid-19th century, Giovanni Malvezzi refurbished the palace under the direction of Francesco Cocchi. The palace was sold by Aldobrandino Malvezzi, who was a professor at the University of Florence, to the Province of Bologna in 1931.

Today, the Palazzo Malvezzi de’ Medici serves as the offices of the Provincial Administration.

Ministry of Justice in Bologna, Italy

Palazzo Ranuzzi

Architect: Andrea Palladio (possibly)

Style: Baroque

Built: late-1500s; 1993 (restoration)

Address: Piazza dei Tribunali, 4, 40124 Bologna BO, Italy

The Palazzo Ranuzzi aka Palazzo Baciocchi o di Giustizia is a stunning Baroque palace in Bologna. It was built in the late 1500s by Carlo Ruini and later modified by the Ranuzzi and Baciocchi families. Some suggest that the original designs for the palace were inspired, if not fully planned, by Andrea Palladio. The Rococo entrance stairs were added by Giuseppe Antonio Torri and Giovanni Battista Piacentini.

The city of Bologna acquired it in 1873, and it features works by various artists such as Marco Antonio Franceschini and Pelagio Palagi. A major restoration was done in 1993 and it now serves as the Court of Appeals.

Palazzo Dal Monte Gaudenzi

Architect: Andrea Marchesi da Formigine

Style: Renaissance

Built: 1529; 1782 to 1787 (refurbished)

Address: Via Galliera, 3, 40121 Bologna BO, Italy

The Palazzo Dal Monte, also referred to as the Palazzo Dal Monte Gaudenzi, is a Renaissance style palace designed by Andrea Marchesi da Formigine in 1529, possibly with assistance from Baldassare Peruzzi.

The interiors were renovated between 1782 and 1787 by Giovanni Storni, commissioned by Stefano Monari, who owned the palace at the time. Gaetano Gandolfi painted the frescoes on the staircase, depicting the Rape of Deianira, while Serafino Barozzi executed other fresco decorations.

The university received the palace as a gift from Professor Augusto Gaudenzi. Since 2015, the palace has been home to the Centro Interdipartimentale di Ricerca in Storia del Diritto, Filosofia e Sociologia del Diritto e Informatica Giuridica (CIRSFID).

Palazzo Ghisilieri

Built: 15th century

Address: Via Ugo Bassi, 14- 40121

There’s a plaque on the Palace’s façade that commemorates the medieval houses of the jurist Rolandino de’ Romanzi, whose pyramidal ark is in the nearby Piazza Malpighi.

In the 15th century, the Ghisilieri family built their palace on this site. In the 19th century, the Swiss family Brun owned the palace, which became the Hotel Brun. It was one of the top hotels in the city until it was severely damaged in an air raid during the Second World War.

Palazzo Caprara in Bologna, Italy

Palazzo Caprara

Architect: Francesco Marani Terribilia; Giuseppe Antonio Torri and his pupil Alfonso Torreggiani (refurbishments)

Style: Renaissance

Built: 1603; 1705 (refurbishments)

Address: Piazza Galileo Galilei, 4, 40123 Bologna BO, Italy

The Palazzo Caprara, also known as Palazzo Galliera, is an urban palace built in the Renaissance style. It was commissioned by Girolamo Caprara, and it is believed that the primary layout was designed by architect Francesco Terribilia in 1603.

Later renovations were carried out in 1705 by Giuseppe Antonio Torri and his pupil Alfonso Torreggiani. The impressive entry staircase to the piano nobile is attributed to Antonio Laghi. The piano nobile itself features frescoes by Petronio and his son Pietro Paltronieri (also known as il Mirandolese), Vittoria Maria Bigari, and Bernardo Minozzi.

Interestingly, in 1805, Napoleon stayed at the palace and later acquired it.

Palazzo Albergati

Architect: Baldassarre Peruzzi

Style: Renaissance

Built: 1519; 1540 (expansion)

Address: Via Saragozza, 28, 40123 Bologna BO, Italy

The Palazzo Albergati is a palace designed in the Renaissance style by Baldassarre Peruzzi. It was originally built in 1519 to serve as the residence for the Albergati family. In 1540, the palace was expanded to include via Malpertuso. The palace boasts an impressive façade, which took on its final form in the early 17th century. Unfortunately, the palace suffered damage from a fire in 2008 and required restoration work.

Palazzo Orsi

Architect: Antonio Morandi called the “Terribilia” (redesign)

Built: 15th century; 1549 to 1564 (redesign)

Address: Via San Vitale, 28, 40125 Bologna BO, Italy

Antonio Morandi, also known as “Terribilia,” remodeled and redesigned Palazzo Orsi between 1549 and 1564. The porticoed façade preserves a 15th-century loggia from the original construction.

Palazzo Bevilacqua Ariosti

Architect: Alfonso Rubbiani (restoration); 

Style: Renaissance

Built: 1477 to 1482; early 20th century (restoration)

Address: Via d’Azeglio, 31, 40123 Bologna BO, Italy

The Palazzo Bevilacqua Ariosti was constructed by Nicolò Sanuti, the count of Porretta, between 1477 and 1482. Unlike most Bolognese buildings of that time, it lacks a portico but features a grey Porretta sandstone ashlar band with a rounded edge that spans the entire ground floor, while the upper levels are made of brick.

The interior of the building boasts a magnificent courtyard adorned with terracotta decorations by Sperandio da Mantova, as well as two loggias whose columns were crafted by Tommaso Filippo da Varignana.

In the early 20th century, the palace underwent restoration by Alfonso Rubbiani.

Palazzo Marescotti Brazzetti

Architect: Giovanni Beroaldo

Style: Baroque

Built: 1508

Address: Via Barberia, 4/2, 40123 Bologna BO, Italy

The construction of the Palazzo Marescotti Brazzetti began in 1508. Giovanni Beroaldo designed and bult the palace on the foundations of earlier buildings. The interiors that we see today were mostly commissioned by the last Marescotti of senatorial rank, Raniero, in the 17th century. The grand entry staircases designed by Giovanni Giacomo Monti were also built during this period.

The University of Bologna completed a restoration of the palace between 2003 and 2007.

Palazzo Felicini poi Fibbia Bologna, Italy

Palazzo Felicini

Style: Renaissance

Built: 1497

Address: Via Galliera, 14, 40121 Bologna BO, Italy

Palazzo Davìa Bargellini in Bologna, Italy

Palazzo Davìa Bargellini

Architect: Bartolomeo Provaglia

Style: Baroque

Built: 1638

Address: Str. Maggiore, 44, 40125 Bologna BO, Italy

The palace was commissioned by Camillo Bargellini in 1638. It was designed by Bartolomeo Provaglia and construction was directed by Antonio Uri.

The palace entrance boasts two impressive telamons, known as giganti or giants, which were sculpted by Gabriele Brunelli and Francesco Agnesini in 1658.

Additionally, the entrance stairwell, designed by Carlo Francesco Dotti and Alfonso Torregiani, provides a beautiful and dramatic approach to the palace.

Palazzo Nuovo Costanzo Bentivoglio in Bologna, Italy

Palazzo Nuovo Costanzo Bentivoglio

Address: Via delle Belle Arti, 8, 40126 Bologna BO, Italy

Palazzo delle Poste in Bologna, Italy

Palazzo delle Poste

Architect: Emilio Saffi

Built: 1905 to 1911

Address: Piazza Minghetti 4 – 40124

Palazzo delle Poste, designed by Emilio Saffi, was built between 1905 and 1911.

Palazzo Carrati

Address: Via Guerrazzi, 13, 40125 Bologna BO, Italy

Palazzo Carrati houses the Bologna Philharmonic Academy.

City Gates in Bologna

Originally, there were twelve gates entering the city walls, but only ten remain today. The ten existing gates are Castiglione, Santo Stefano, Maggiore, San Vitale, San Donato, Mascarella, Galliera, Lame, San Felice, and Saragozza.

Unfortunately, most of the gates were rebuilt in the 1600s. However, Porta Mascarella is one of the few gates still maintaining its 14th-century character.

Porta Mascarella in Bologna, Italy

Porta Mascarella

Built: 13th century (original)

Address: Piazza di Porta Mascarella, 40126 Bologna BO, Italy

Porta Mascarella was a gate of the former outer medieval walls. The gate still maintains its original appearance, which dates back to the 13th century.

Throughout its history, the gate has been alternately open and closed due to security concerns. In 1354, a drawbridge was constructed over the moat, but it was later closed again for safety reasons.

The gate’s location was deemed risky and required repeated reinforcement. The inhabitants living near the gate took it upon themselves to reinforce and reopen it in 1381, but it was subsequently closed several times during the first half of the 15th century. The tower that once overlooked the gate was demolished in 1511 due to the risk of artillery fire.

Porta Castiglione in Bologna, Italy

Porta Castiglione

Built: 13th century (original); 1850 (restorations)

Address: Via Castiglione, 40124 Bologna BO, Italy

Porta Castiglione was a gate of the outer medieval walls of the city. The gate was built in the 13th century and rebuilt in 1378, 1379, and 1403. Its present appearance is the result of restorations completed in 1850.

Porta Castiglione was known as the “Gate of Canals” or “Porta dei Canali” due to its proximity to a canal that allowed the Savena River to flow into the town. The Savena River provided hydraulic energy to numerous mills that produced silk and wool.

Porta San Felice in Bologna, Italy

Porta San Felice

Built: 13th century (original); 1508 and 1805 (restoration)

Address: Piazza di Porta S. Felice, 40122 Bologna BO, Italy

Porta San Felice was the westernmost gate or portal of the former outer medieval walls of the city. The original gate was built in the 13th century. A tower and a drawbridge were added in 1334. It underwent restoration in 1508 and again in 1805 when Napoleon visited the city. In 1840, the walls on either side were removed.

One of the famous moments of its history is the affair of the “stolen bucket” (“la secchia rapita”) taken by soldiers of Modena from the spring near the gate San Felice as their spoils of war after their victory in the battle of Zappolino in 1325.

Porta Lame in Bologna, Italy

Porta Lame

Architect: Agostino Barelli (rebuilt)

Style: Baroque (rebuilt)

Built: 13th century; 1334 (original); 1677 (rebuilt)

Address: Piazza VII Novembre 1944, 40122 Bologna BO, Italy

Porta Lame is one of the gates of the third city wall of Bologna.

It was originally built in the 13th century with a covered keep. In 1334, it was equipped with two drawbridges, one for carriages and one for pedestrians. The gate was rebuilt between 1684 and 1677 in a Baroque style by the architect Agostino Barelli. The most recent restoration was carried out between 2007 and 2009.

Porta San Donato in Bologna, Italy

Porta San Donato

Built: 13th century

Address: Piazza di Porta San Donato, 40126 Bologna BO, Italy

Porta San Donato, also known as Porta Zamboni, was a gate of the former outer medieval walls into the university area of the city.

The gate was built in the 13th century. A drawbridge over the moat was built in 1354. The gate was closed and walled up for security reasons in 1428 but reopened some decades later.

Porta Galliera

Built: 1663 (rebuilt); 1933 to 1934 (restoration); 2007 to 2009 (restoration); 2019 (restoration)

Address: Piazza XX Settembre, 15, 40121 Bologna BO, Italy

Porta Galliera is one of the gates of the third wall of the city. The original construction of the gate at the beginning of the 13th century was a simple wooden structure with quadrangular base. The gate was reconstructed when the nearby Galliera fortress was built by Cardinal Bertrando del Poggetto between 1330 and 1333 to welcome Pope John XXII.

Due to the bad state of the original foundations, the gate was completely rebuilt between 1661 and 1663 based on a design by Bartolomeo Provaglia. It has undergone several more recent restorations including between 1933 and 1934, between 2007 and 2009 (as well as the other gates of the third wall), and in 2019.

Porta Maggiore in Bologna, Italy

Porta Maggiore

Architect: Gian Giacomo Dotti (rebuilt)

Built: 13th century; 1770 (rebuilt)

Address: Piazza di Porta Maggiore, 40125 Bologna BO, Italy

Porta Maggiore was originally constructed with a fortress in the latter part of the 13th century. It was reconstructed in the 14th century and again in the 15th century. At the beginning of the 16th century, Pope Julius II undertook significant reconstruction to create a larger fortress, incorporating the original keep and opening a new passage on the north side. In addition, a new bridge was constructed over the moat, and the gate was reopened on the main axis of Via Emilia.

In 1770, architect Gian Giacomo Dotti rebuilt the gate. In 1903, the decision to demolish the gate led to a long and heated debate. Eventually, the demolition works were stopped in 1909. Fortunately, the oldest parts of the construction were saved and restored by the Committee of Artistic and Historical Bologna, under the guidance of Alfonso Rubbiani.

Porta Saragozza in Bologna, Italy

Porta Saragozza

Built: 13th to 14th century

Address: Mura di Porta Saragozza, 40123 Bologna BO, Italy

Porta Sant'Isaia in Bologna, Italy

Porta Sant'Isaia

Built: 1567 to 1568 (opened); 1903 (demolished)

Address: Piazza di Porta Sant’Isaia, 40123 Bologna BO, Italy

Porta Sant’Isaia, also known as Porta Pia, was one of the gates in Bologna’s third city wall. This gate’s existence was brief compared to the other gates as it was only built in 1568 to reinforce the main gate on the long western side of the walls.

Unfortunately, it was demolished in 1903 due to the collapse of one of its cornices, which led to a woman’s injury. The walls of the third belt of the city were also taken down in the early 1900s.

Porta Santo Stefano in Bologna, Italy

Porta Santo Stefano

Built: 13th century (original); 1843 (current buildings)

Address: Piazza di Porta Santo Stefano, 40125 Bologna BO, Italy

The Porta Santo Stefano, known as the “Gateway to Tuscany” or “Porta per la Toscana,” is one of the gates of the third wall of the city of Bologna. It was constructed in the 13th century and, over the past two centuries, has undergone multiple reconstructions and renovations, with its fortifications further strengthened in the 15th century.

Unfortunately, during the siege in 1512, the gate suffered significant artillery damage, resulting in the destruction of the original tower. However, the gate was rebuilt with a new keep just a year later.

In 1843, the previous structures were demolished, and two new buildings were erected in their place, creating the impressive “Gregorian Barrier” entrance to the town. Today, due to its location along the primary route between Bologna and Florence, the gate serves as a crucial hub for traffic and trade exchanges.

Porta San Vitale in Bologna, Italy

Porta San Vitale

Built: 1286; early 16th century (demolished)

Address: Piazza di Porta San Vitale, 40125 Bologna BO, Italy

The Porta di San Vitale, also known as the “Gate to Ravenna,” may be small in size and appearance, but it holds immense historical significance. Built in 1286, it served as a gateway to Ravenna, the former capital of the Roman Empire and a religious hub that Bologna relied on for centuries.

Throughout the 14th century, various renovations were carried out, such as the construction of a drawbridge over the moat in 1354. The gate was closed twice for security reasons, once in 1447 and again in 1512. The drawbridge was eventually demolished in the late 18th century, and additional sections of the gate were removed from 1950 to 1952, including the ravelin and exterior avant-corps.

Torresotto di San Vitale in Bologna, Italy

Torresotto di San Vitale

Built: 12th century; 15th century (addition)

Address: Via S. Vitale, 40125 Bologna BO, Italy

The Torresotto di San Vitale is part of Bologna’s second set of walls built in the late 12th century.

The turret, which now dominates the building with a roof terrace and 12 windows (three on each side), is a fifteenth-century addition that was later remodeled. The Borzani family, who became owners in 1603, further modified the Torresotto. 

Torresotto di Porta Nuova to Basilica di San Francesco in Bologna, Italy

Torresotto di Porta Nuova

Built: 12th century

Address: Via Porta Nova, 40123 Bologna BO, Italy

The Porta Nova gate, also known as Torresotto di Porta Nuova, is part of the second ring of walls completed in 1192.

Porta Govese

Built: 12th century

Address: Via Piella, 14-16, 40126 Bologna BO, Italy

The Porta Govese gate is also known as Torresotto dei Piella. It is part of the second circle of walls built in the late 12th century. On the side of the structure, there is a preserved artwork of Madonna and saints by Francesco Brizio dating back to the 17th century.

City Walls

Other Attractions in Bologna

Casa Isolani

Built: 13th century; 20th century (restoration)

Address: Strada Maggiore, 19 – 40125

Casa Isolani is a rare example of civil construction from the 13th century. It features a portico supported by very tall oak beams (measuring 9 meters in height). The restoration work during the 20th century included the single-lancet window, mullioned windows, and arches of the shops on the façade.

Casa Saraceni in Bologna, Italy

Casa Saraceni

Style: Renaissance

Built: 15th century

Address: Via Farini, 15 – 40124

Casa Saraceni is the historical residence of the noble Saraceni family. It is considered one of the most fascinating buildings from the late 15th-century Renaissance period.

It now serves as home to the Fondazione Cassa di Risparmio in Bologna. The ground floor of the building is used as an exhibition area for art exhibitions and other cultural events.

Collegio di Spagna in Bologna, Italy

Collegio di Spagna

Style: Gothic and Renaissance

Built: various

Address: Via Collegio di Spagna, 4 – 40123

Cardinal Egidio Albornoz established Collegio di Spagna in 1364 to accommodate Spanish students studying at the renowned University in the city. The building is enclosed by tall walls and boasts a unique architectural style that blends elements of Gothic and Renaissance design.

The corner wall, known as Casa del Cervantes, features coats of arms belonging to the crown of Spain and the founder. The sandstone entrance portal, crafted by Bernardino da Milano in 1525, leads into a lovely 16th-century loggia that gives way to a 14th-century brick courtyard.

The upper porch of the Gothic vault is adorned with pictorial decorations, including a Madonna spreading flowers (Madonna che sparge fiori) in the Raphaelesque style by Biagio Pupini. The church of S. Clemente, crowned by a bell tower, dominates the cloister.

Palazzina della Viola

Built: 15th century

Address: Via Filippo Re, 2 – 40126

The Palazzina della Viola’s central part was constructed in the late 15th century by Annibale Bentivoglio. After the Bentivoglio family was exiled from Bologna, the Palazzina was handed over to the Salicini family.

In 1540, Cardinal Bonifacio Ferreri purchased it and merged it with the Collegio dei Piemontesi, which had its headquarters in the adjacent old building. It had various functions until 1803 when Napoleon’s government assigned it to the School of Agriculture of the University, led by Filippo Re.

Conservatorio del Baraccano

Style: Renaissance

Address: Via Santo Stefano 119 – 40124

The Conservatory of Putte del Baraccano in Bologna has one of the most unique Renaissance porticoes. This wide loggia, constructed during the reign of the Bentivoglio family, features magnificent stone columns with elegant, molded discs decorating the shafts.

Albergo del Pellegrino

Address: Via Ugo Bassi, 7 – 40121

There is a plaque on the facade of the building that commemorates the Hotel del Pellegrino, which existed here from 1500 to 1930. The plaque bears an inscription written by Giosuè Carducci, which notes that the renowned English poet Lord Byron once stayed here.

Voltone di Palazzo Manzoli-Malvasia

Built: 16th century (restored); 18th century (restored)

Address: Via Zamboni – 40126

The only remaining entrance to the former ghetto is the vault connecting San Donato church to the Manzoli-Malvasia palace. The palace was restored in the 16th and 18th centuries. Legend has it that the gargoyle above the vault was used to spout wine for guests.

Casa Buratti

Built: mid-1800s; 1955 (restoration)

Address: Via dell’Inferno, 16 – 40126

Buratti House is a prominent religious building in the ghetto, serving as the historic location of the synagogue. It was built in the mid-1800s and underwent extensive restoration in 1955, following severe damage during the war.

Piazza VIII Agosto

Address: Piazza 8 agosto – 40126

Piazza VIII Agosto, of Roman origins, became the property of the Municipality of Bologna in 1219 and acquired the name of Piazza del Mercato since it was destined as a place for the livestock market since 1251.

The current name refers to 8th August 1848, when the Bolognese people defeated the Austrian troops here. To commemorate the historical event, the monument to the Peasant (Popolano) was erected, a work by Pasquale Rizzoli.

Piazza VIII Agosto is now home to the historical market “La Piazzola”, which every Friday and Saturday animates the entire square and the adjacent Montagnola Park (Parco della Montagnola) with over 400 stalls.

Teatro Comunale in Bologna, Italy

Teatro Comunale

Architect: Antonio Galli Bibiena

Built: 1763; 1818 to 1820 (renovations); 1931 to 1935 (rebuilt)

Address: Largo Respighi, 1, 40126 Bologna BO, Italy

The Teatro Comunale is a bell-shaped auditorium containing four tiers of boxes, a royal box, and a small gallery. However, much of the backstage facilities were left unfinished, and it was not until 1805 that the necessary work was completed to present operas. The facade was not completed until 1936.

The theater underwent various renovations between 1 and, as well as from 1853 to 1854. Unfortunately, a fire destroyed much of the stage area in 1931, causing the theater to close. It reopened on November 14, 1935, with a new horseshoe-shaped auditorium that could seat 1,034 people.

Scalinata del Pincio in Bologna, Italy

Scalinata del Pincio

Architect: Tito Azzolini and Attilio Muggia

Built: 1893 to 1896

Address: P.za XX Settembre, 40121 Bologna BO, Italy

Arco Bonaccorsi

Address: Viale Carlo Pepoli, 40134 Bologna BO, Italy

The Bonaccorsi Arch is the entrance to the longest arcade portico in Bologna.

Via Cairoli in Bologna, Italy

Via Cairoli

Oratorio dei Bastardini in Bologna, Italy

Oratorio dei Bastardini

Address: Via d’Azeglio, 40124 Bologna BO, Italy

Casa Caccianemici in Bologna, Italy

Casa Caccianemici

Address: Via de’ Toschi, 11, 40124 Bologna BO, Italy

Casa Natale di Guglielmo Marconi in Bologna, Italy

Casa Natale di Guglielmo Marconi

Address: Via IV Novembre, 7, 40121 Bologna BO, Italy

Piazza Galvani

Address: Piazza Galvani – 40124

Piazza Galvani is a square in the heart of Bologna’s historic district, facing the apse of San Petronio Basilica. At the center of the square stands a statue of Luigi Galvani, a renowned scientist from Bologna.

Where Is the Best Place To Stay In Bologna?

Hotels in Bologna

There are many great places to stay in Bologna. For the best experience, we recommend staying near Piazza Maggiore (the castle marker on the map below). The area around Piazza Maggiore is the most pedestrian-friendly, surrounded by restaurants and historical shops, and the main streets close to vehicles on the weekends and turn it into a giant pedestrian paradise.

Here’s a map with hotel and apartment options that can be filtered to meet your needs. Select your travel dates to get specific availability and prices.

Book your stay now!

City Tours in Bologna

Want to learn about the history of Bologna with a guide? Book a highly-rated city tour while visiting Bologna!

FAQs About Bologna Architecture

What is Bologna Best Known for?

Bologna is best known for several things. Firstly, it is renowned for its rich culinary tradition, particularly its famous Bolognese sauce (ragù alla bolognese) and fresh pasta dishes like tagliatelle and tortellini. Bologna is also known for its historic architecture, including the iconic Two Towers (Le Due Torri) and the beautiful Piazza Maggiore. The city is home to one of the oldest universities in the world, the University of Bologna, which was founded in 1088. Additionally, Bologna has a vibrant cultural scene with numerous museums, art galleries, and theaters. Overall, Bologna is a city that combines history, culture, and gastronomy to create a unique and memorable experience for visitors.

What is the style of architecture in Bologna?

Bologna, the capital of the Emilia-Romagna region in Northern Italy, is known for its architectural heritage, with a unique blend of styles from different periods. The predominant style of architecture in Bologna is Renaissance, which is characterized by symmetrical and harmonious designs, use of classical elements such as columns and arches, and attention to detail. Many buildings in Bologna feature intricate facades, ornate balconies, and elegant porticoes.

However, you can also find examples of other architectural styles in Bologna, including Gothic, Baroque, and Neoclassical. These various styles contribute to the city’s diverse and visually appealing architectural landscape. Whether you’re strolling through the historic center or exploring the outskirts of the city, you’ll be sure to encounter a wide range of architectural styles that reflect Bologna’s rich history and cultural heritage.

What are the Oldest Buildings in Bologna?

The Basilica di San Petronio is not only the oldest building in Bologna but also one of the largest churches in the world. Construction of this impressive basilica began in 1390 and continued for over two centuries. Its unique blend of Gothic and Renaissance architectural styles makes it a remarkable sight for visitors.

The basilica is dedicated to Saint Petronius, the patron saint of Bologna, and its interior is adorned with exquisite frescoes and sculptures by renowned artists such as Giovanni da Modena and Niccolò dell’Arca. One of the most striking features of the Basilica di San Petronio is its unfinished façade, which adds to its charm and historical significance.

Today, this iconic landmark stands as a testament to Bologna’s rich cultural heritage and religious devotion.

Why are buildings in Bologna red?

The buildings in Bologna are predominantly red due to the extensive use of terracotta bricks and clay from the surrounding region. The traditional building materials, such as the terracotta, give the city its distinctive reddish hue, creating a unique and charming architectural landscape. This color choice is not only aesthetically pleasing but also serves practical purposes, as the terracotta bricks provide good insulation and protection against the elements, making them a popular choice for construction in Bologna and other parts of Italy.